LIPPI, Filippino

Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.
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LIPPI, Filippino Adoration of the Magi (detail) sg oil


Adoration of the Magi (detail) sg
Painting ID::  7953 		Adoration of the Magi (detail) sg
1496 Oil on wood Galleria degli Uffizi, Florence
1496 Oil_on_wood Galleria_degli_Uffizi,_Florence
   
   
     
LIPPI, Filippino Allegory sg oil


Allegory sg
Painting ID::  7954 		Allegory sg
c. 1498 Oil on wood, 29 x 22 cm Galleria degli Uffizi, Florence
   
   
     
LIPPI, Filippino Allegory of Music or Erato sg oil


Allegory of Music or Erato sg
Painting ID::  7955 		Allegory of Music or Erato sg
c. 1500 Tempera on panel. 61 x 51 cm Staatliche Museen, Berlin
   
   
     
LIPPI, Filippino The Marriage of St Catherine gwt oil


The Marriage of St Catherine gwt
Painting ID::  7956 		The Marriage of St Catherine gwt
1501 Panel S. Domenico, Bologna
1501 Panel S._Domenico,_Bologna
   
   
     
LIPPI, Filippino The Marriage of St Catherine (detail) sg oil


The Marriage of St Catherine (detail) sg
Painting ID::  7957 		The Marriage of St Catherine (detail) sg
1501 Panel S. Domenico, Bologna
1501 Panel S._Domenico,_Bologna
   
   
     
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     LIPPI, Filippino
     Italian Early Renaissance Painter, ca.1457-1504 Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.

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