Hans Baluschek

German, 1870-1935,German illustrator, painter, and writer, known for his graphic depictions of the proletarian milieu and hard life in big cities. Baluschek was also a renowned illustrator of fairy tales and produced superb illustrations for five books in the series Deutsche Marchenbucherei published by the Klemm Verlag between 1878 and 1923: Peterchens Mondfahrt (Little Peter's Flight to the Moon, 1915), Pips der Pilz. Ein Wald?\ und Weihnachtsmarchen (Pips the Mushroom: A Forest and Christmas Fairy Tale, 1920), Prinzessin Huschewind (Princess Hush Wind, 1922), and Ins Marchenland (Into Fairyland, 1922). He employed aquarelles and oils to form unusual and bizarre characters and also used ink to create the text.


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Hans Baluschek Grobstadtwinkel oil


Grobstadtwinkel
Painting ID::  73610
Grobstadtwinkel
Ol auf Leinwand; 170,5 x 125 cm Date 1929 cyf
Ol_auf_Leinwand;_170,5_x_125_cm _ Date_1929 _cyf
   
   
     

Hans Baluschek Hans Baluschek Karl Ferdinand Braun oil


Hans Baluschek Karl Ferdinand Braun
Painting ID::  80050
Hans Baluschek Karl Ferdinand Braun
oil on canvas; 120 x 184 cm Date 1927(1927) cjr
oil_on_canvas;_120_x_184_cm _ Date_1927(1927) _ cjr
   
   
     

Hans Baluschek Grobstadtbahnhof oil


Grobstadtbahnhof
Painting ID::  85467
Grobstadtbahnhof
oil on canvas, destroyed Date 1904(1904) cyf
oil_on_canvas,_destroyed _ Date_1904(1904) _ cyf
   
   
     

Hans Baluschek Kohlenfuhren oil


Kohlenfuhren
Painting ID::  86231
Kohlenfuhren
oil on canvas cyf
oil_on_canvas_ cyf
   
   
     

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     Hans Baluschek
     German, 1870-1935,German illustrator, painter, and writer, known for his graphic depictions of the proletarian milieu and hard life in big cities. Baluschek was also a renowned illustrator of fairy tales and produced superb illustrations for five books in the series Deutsche Marchenbucherei published by the Klemm Verlag between 1878 and 1923: Peterchens Mondfahrt (Little Peter's Flight to the Moon, 1915), Pips der Pilz. Ein Wald?\ und Weihnachtsmarchen (Pips the Mushroom: A Forest and Christmas Fairy Tale, 1920), Prinzessin Huschewind (Princess Hush Wind, 1922), and Ins Marchenland (Into Fairyland, 1922). He employed aquarelles and oils to form unusual and bizarre characters and also used ink to create the text.

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