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Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;

Camille Pissarro Vue de Saint-Ouen-l Aumone painting


Vue de Saint-Ouen-l Aumone
Vue de Saint-Ouen-l Aumone
Painting ID::  74769
  English: "Vue de Saint-Ouen-l'Aumône (View of Saint-Ouen-l'Aumône)," oil on canvas, by the French artist Camille Pissarro. 23 in. x 31 3/4 in. Yale University Art Gallery, gift of Helen G. Altschul, widow of Frank Altschul, B.A.1908. Courtesy of Yale University, New Haven, Conn. Date 1876 cyf
  English: "Vue de Saint-Ouen-l'Aumône (View of Saint-Ouen-l'Aumône)," oil on canvas, by the French artist Camille Pissarro. 23 in. x 31 3/4 in. Yale University Art Gallery, gift of Helen G. Altschul, widow of Frank Altschul, B.A.1908. Courtesy of Yale University, New Haven, Conn. Date 1876 cyf

 

 
   
      

Camille Pissarro
Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
Vue de Saint-Ouen-l Aumone
English: "Vue de Saint-Ouen-l'Aumône (View of Saint-Ouen-l'Aumône)," oil on canvas, by the French artist Camille Pissarro. 23 in. x 31 3/4 in. Yale University Art Gallery, gift of Helen G. Altschul, widow of Frank Altschul, B.A.1908. Courtesy of Yale University, New Haven, Conn. Date 1876 cyf

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Related Paintings to Camille Pissarro :.
| View of the Convent of San Marco | The Feast of Trotters | A Blonde Woman | Part of Constructure | Landscape with Abraham Expelling Hagar and Ishmael (mk17) |


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