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Jacopo Pontormo

Italian 1494-1557 Jacopo Pontormo Galleries Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.

Jacopo Pontormo The Virgin and Child with Four Saints and the Good Thief with (mk05) painting


The Virgin and Child with Four Saints and the Good Thief with (mk05)
The Virgin and Child with Four Saints and the Good Thief with (mk05)
Painting ID::  20146
  Before 1529 Wood 90 x 69 1/4''(228 x 176 cm)Entered the Louvre in 1814
  Before 1529 Wood 90 x 69 1/4''(228 x 176 cm)Entered the Louvre in 1814

 

 
   
      

Jacopo Pontormo
Italian 1494-1557 Jacopo Pontormo Galleries Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.
The Virgin and Child with Four Saints and the Good Thief with (mk05)
Before 1529 Wood 90 x 69 1/4''(228 x 176 cm)Entered the Louvre in 1814

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Related Paintings to Jacopo Pontormo :.
| Cottage at Nightfall (nn04) | Tannenwald im Mondschein | Rechts und Links oder Doppeltreffer | The Guitar Player rqw | the marquise d aiguiandes |


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