Wholesale Oil Painting No Minimum
Prev       Next     
 
    

CIMA da Conegliano

Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
CIMA da Conegliano The Annunciation dfg painting


The Annunciation dfg
The Annunciation dfg
Painting ID::  6027
   1495 Tempera and oil on canvas transferred from wood, 136,5 x 107 cm The Hermitage, St. Petersburg
  1495 Tempera and oil on canvas transferred from wood, 136,5 x 107 cm The Hermitage, St. Petersburg

 
 
   
      
CIMA da Conegliano
Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
The Annunciation dfg
1495 Tempera and oil on canvas transferred from wood, 136,5 x 107 cm The Hermitage, St. Petersburg
Prev       Next     

Related Paintings to CIMA da Conegliano :.
| Souvenirs | A Grey Arabian Horse | Moses Defending the Daughters of Jethro | Faun Whistling to Blackbird | Sadko in the Underwater kingdom |

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings