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GIOTTO di Bondone

Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

GIOTTO di Bondone St Francis Preaching before Honorius III painting


St Francis Preaching before Honorius III
St Francis Preaching before Honorius III
Painting ID::  44355
  1297-1300 270 x 230 cm
  1297-1300 270 x 230 cm

 

 
   
      

GIOTTO di Bondone

Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

GIOTTO di Bondone St Francis Preaching before Honorius III painting


St Francis Preaching before Honorius III
St Francis Preaching before Honorius III
Painting ID::  62990
  1297-1300 Fresco Upper Church, San Francesco, Assisi Worthy of notice is the rich Cosmati work on the Pope's foot stool, whose bright colours recall the vault of the Doctors. Artist: GIOTTO di Bondone Painting Title: Legend of St Francis: 17. St Francis Preaching before Honorius III (detail) , 1301-1350 Painting Style: Italian , , religious
  1297-1300 Fresco Upper Church, San Francesco, Assisi Worthy of notice is the rich Cosmati work on the Pope's foot stool, whose bright colours recall the vault of the Doctors. Artist: GIOTTO di Bondone Painting Title: Legend of St Francis: 17. St Francis Preaching before Honorius III (detail) , 1301-1350 Painting Style: Italian , , religious

 

 
   
      

GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
St Francis Preaching before Honorius III
1297-1300 Fresco Upper Church, San Francesco, Assisi Worthy of notice is the rich Cosmati work on the Pope's foot stool, whose bright colours recall the vault of the Doctors. Artist: GIOTTO di Bondone Painting Title: Legend of St Francis: 17. St Francis Preaching before Honorius III (detail) , 1301-1350 Painting Style: Italian , , religious

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| Head portrait of female | Grandmother's Gown | Mahan s diabolic horse | lyre | Licht und Farbe: Der Morgen nach der Sintflut: Moses schreibt das Buch der Genesis |


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