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Fra Carnevale

Italian, active 1445-1484
Fra Carnevale Presentation of the Virgin in the Temple painting


Presentation of the Virgin in the Temple
Presentation of the Virgin in the Temple
Painting ID::  9850
   1467, oil and tempera on panel, Museum of Fine Arts, Boston.
  1467, oil and tempera on panel, Museum of Fine Arts, Boston.

 
 
   
      

GIOTTO di Bondone

Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
GIOTTO di Bondone Presentation of the Virgin in the Temple painting


Presentation of the Virgin in the Temple
Presentation of the Virgin in the Temple
Painting ID::  40130
   mk156 1303-05 Fresco Cappella degli Scrovegni Dell- Arena Padua
  mk156 1303-05 Fresco Cappella degli Scrovegni Dell- Arena Padua

 
 
   
      
GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
Presentation of the Virgin in the Temple
mk156 1303-05 Fresco Cappella degli Scrovegni Dell- Arena Padua
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| Runsten stamp Oath in Unpacked | View of Egmond aan Zee with a Blasted Elm | The Egg Dance | Hampstead | Appears to be a version of an 1804 artwork |

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