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Art Work: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

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Nicholas Dipre

French Painter, known ca.1495-1531

Presentation of the Virgin at the Temple
Presentation of the Virgin at the Temple
Painting ID:: 974

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1500 Musee du Louvre, Paris
1500 Musee du Louvre, Paris

Titian

Italian High Renaissance Painter, ca.1485-1576 Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.

Presentation of the Virgin at the Temple
Presentation of the Virgin at the Temple
Painting ID:: 41170

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mk157 1534-38 Oil on canvas 336x775cm
mk157 1534-38 Oil on canvas 336x775cm

Jacopo Tintoretto

1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

Presentation of the Virgin at the Temple
Presentation of the Virgin at the Temple
Painting ID:: 41188

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mk157 1552
mk157 1552

TIZIANO Vecellio

Italian painter, Venetian school (b. 1490, Pieve di Cadore, d. 1576, Venezia).

Presentation of the Virgin at the Temple
Presentation of the Virgin at the Temple
Painting ID:: 43611

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1539 Oil on canvas 345 x 775 cm
1539 Oil on canvas 345 x 775 cm

TIZIANO Vecellio
Italian painter, Venetian school (b. 1490, Pieve di Cadore, d. 1576, Venezia).
Presentation of the Virgin at the Temple
1539 Oil on canvas 345 x 775 cm

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