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Gerrit Dou

1613-1675 Dutch Gerard Dou Locations Dutch genre and portrait painter of Leiden. The son of a glass painter, he was apprenticed to an engraver and worked from 1628 to 1631 in the studio of the young Rembrandt. Although he occasionally borrowed Rembrandt themes, he was more detailed and meticulous in his execution. His scenes of domestic, middle-class life were tremendously popular and often imitated. Among his most famous works are Evening Light (Rijks Mus.), Young Man (The Hague), The Cook (Louvre), and a self-portrait (Metropolitan Mus.).
Gerrit Dou Portrait of an old woman reading painting


Portrait of an old woman reading
Portrait of an old woman reading
Painting ID::  68564
   ca. 1630 (1630-1639) Oil on panel 71 ?? 55.5 cm (27.95 ?? 21.85 in)
  ca. 1630 (1630-1639) Oil on panel 71 ?? 55.5 cm (27.95 ?? 21.85 in)

 
 
   
      

Gerrit Dou

1613-1675 Dutch Gerard Dou Locations Dutch genre and portrait painter of Leiden. The son of a glass painter, he was apprenticed to an engraver and worked from 1628 to 1631 in the studio of the young Rembrandt. Although he occasionally borrowed Rembrandt themes, he was more detailed and meticulous in his execution. His scenes of domestic, middle-class life were tremendously popular and often imitated. Among his most famous works are Evening Light (Rijks Mus.), Young Man (The Hague), The Cook (Louvre), and a self-portrait (Metropolitan Mus.).
Gerrit Dou Portrait of an old woman reading painting


Portrait of an old woman reading
Portrait of an old woman reading
Painting ID::  70893
   Medium Oil on panel Dimensions Expression error: Missing operand for *71 x 55.5 cm
  Medium Oil on panel Dimensions Expression error: Missing operand for *71 x 55.5 cm

 
 
   
      

Gerard Dou

Leiden 1613-1675 was a Dutch Golden Age painter, whose small, highly-polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his trompe l'oeil "niche" paintings and candlelit night-scenes with strong chiaroscuro. His first instructor in drawing and design was Bartholomew Dolendo, an engraver; and he afterwards learned the art of glass-painting under Peter Kouwhoorn. At the age of 15 he became a pupil of Rembrandt, with whom he continued for three years. From the great master of the Dutch school he acquired his skill in coloring, and in the more subtle effects of chiaroscuro; and the style of Rembrandt is reflected in several of his earlier pictures, notably in a portrait of himself at the age of 22, in the Bridge-water House gallery, and in the "Blind Tobit going to meet his Son", at Wardour Castle. At a comparatively early point in his career, however, he had formed a manner of his own distinct from, and indeed in some respects antagonistic to, that of his master. Gifted with unusual clearness of vision and precision of manipulation, he cultivated a minute and elaborate style of treatment; and probably few painters ever spent more time and pains on all the details of their pictures down to the most trivial. He is said to have spent five days in painting a hand; and his work was so fine that he found it necessary to manufacture his own brushes. Notwithstanding the minuteness of his touch, however, the general effect was harmonious and free from stiffness, and his color was always admirably fresh and transparent. He was fond of representing subjects in lantern or candle light, the effects of which he reproduced with a fidelity and skill which no other master has equaled. He frequently painted by the aid of a concave mirror, and to obtain exactness looked at his subject through a frame crossed with squares of silk thread. His practice as a portrait painter, which was at first considerable, gradually declined, sitters being unwilling to give him the time that he deemed necessary. His pictures were always small in size, and represented chiefly subjects in still life. Upwards of 200 are attributed to him, and specimens are to be found in most of the great public collections of Europe. His chef-d'oeuvre is generally considered to be The dropsical woman, 1663, and The Dutch Housewife, 1650, both in the Louvre. The Evening School, in the Amsterdam Rijksmuseum, is the best example of the candlelight scenes in which he excelled. In the National Gallery, London, favorable specimens are to be seen in the Poulterer's Shop,
Gerard Dou Portrait of an old woman reading painting


Portrait of an old woman reading
Portrait of an old woman reading
Painting ID::  72351
   Old woman reading a lectionary: the so-called portrait of Rembrandt's mother, Neeltgen Willemsdr van Zuijdtbroeck (d 1640). ca. 1630 (1630-1639) Oil on panel 71 X 55.5 cm (27.95 X 21.85 in) cjr
  Old woman reading a lectionary: the so-called portrait of Rembrandt's mother, Neeltgen Willemsdr van Zuijdtbroeck (d 1640). ca. 1630 (1630-1639) Oil on panel 71 X 55.5 cm (27.95 X 21.85 in) cjr

 
 
   
      
unknow artist Portrait of an old woman reading painting


Portrait of an old woman reading
Portrait of an old woman reading
Painting ID::  73954
   Date ca. 1630 (1630-1639) Medium Oil on panel Dimensions 71 X 55.5 cm (27.95 X 21.85 in) cyf
  Date ca. 1630 (1630-1639) Medium Oil on panel Dimensions 71 X 55.5 cm (27.95 X 21.85 in) cyf

 
 
   
      
unknow artist

Portrait of an old woman reading
Date ca. 1630 (1630-1639) Medium Oil on panel Dimensions 71 X 55.5 cm (27.95 X 21.85 in) cyf
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