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William Holbrook Beard

1824-1900 William Holbrook Beard Gallery
William Holbrook Beard In the Forest painting


In the Forest
In the Forest
Painting ID::  69440
   Medium oil on canvas Dimensions 65.6 X 91.4 cm
  Medium oil on canvas Dimensions 65.6 X 91.4 cm

 
 
   
      
unknow artist In the forest painting


In the forest
In the forest
Painting ID::  73998
   "In the forest", oil painting on wood (40 x 50 cm) by Charles Poupaert (1874-1935); private collection
  "In the forest", oil painting on wood (40 x 50 cm) by Charles Poupaert (1874-1935); private collection

 
 
   
      
unknow artist In the forest painting


In the forest
In the forest
Painting ID::  75495
   oil painting on wood (40 x 50 cm) cyf
  oil painting on wood (40 x 50 cm) cyf

 
 
   
      

Albert Bierstadt

German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
Albert Bierstadt In the Forest painting


In the Forest
In the Forest
Painting ID::  95823
   Date circa 1880(1880) Medium oil on canvas Dimensions 36 x 26 in (91.4 x 66 cm) ttd
  Date circa 1880(1880) Medium oil on canvas Dimensions 36 x 26 in (91.4 x 66 cm) ttd

 
 
   
      
Albert Bierstadt
German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
In the Forest
Date circa 1880(1880) Medium oil on canvas Dimensions 36 x 26 in (91.4 x 66 cm) ttd
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Related Paintings to Albert Bierstadt :.
| The tomb of Willem I in the Nieuwe Kerk in Delft | The Queen of Spades (mk46) | Die Kinder des Vicomte d'Andrezel | European city landscape, street landsacpe, construction, frontstore, building and architecture. 278 | Der Schmetterling |

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