Wholesale Oil Painting No Minimum
Prev       Next     
 
    

GILLOT, Claude

French Painter, 1673-1722 French draughtsman, printmaker and painter. He was the son of an embroiderer and painter of ornaments, who doubtless trained him before he entered the Paris studio of Jean-Baptiste Corneille about 1690; there he learnt to paint and etch. In 1710 he was approved by the Academie Royale; he was received as a history painter five years later, on presentation of the Nailing of Christ to the Cross . Although he painted other elevated subjects, including a Death of the Virgin (1715; untraced) for his native Langres, he was most active as a draughtsman and printmaker specializing in theatre and genre scenes, as well as bacchanals and designs for decorations. Gillot's principal source of inspiration was the popular theatre; he is said to have run a puppet theatre, to have written plays and once to have been in charge of sets, machinery and costume for the opera. This interest was to have a profound effect on the art of his principal pupil, Antoine Watteau
GILLOT, Claude Dream of Solomon dh painting


Dream of Solomon dh
Dream of Solomon dh
Painting ID::  6876
   c. 1693 Oil on canvas, 245 x 361 cm Museo del Prado, Madrid
  c. 1693 Oil on canvas, 245 x 361 cm Museo del Prado, Madrid

 
 
   
      
GILLOT, Claude
French Painter, 1673-1722 French draughtsman, printmaker and painter. He was the son of an embroiderer and painter of ornaments, who doubtless trained him before he entered the Paris studio of Jean-Baptiste Corneille about 1690; there he learnt to paint and etch. In 1710 he was approved by the Academie Royale; he was received as a history painter five years later, on presentation of the Nailing of Christ to the Cross . Although he painted other elevated subjects, including a Death of the Virgin (1715; untraced) for his native Langres, he was most active as a draughtsman and printmaker specializing in theatre and genre scenes, as well as bacchanals and designs for decorations. Gillot's principal source of inspiration was the popular theatre; he is said to have run a puppet theatre, to have written plays and once to have been in charge of sets, machinery and costume for the opera. This interest was to have a profound effect on the art of his principal pupil, Antoine Watteau
Dream of Solomon dh
c. 1693 Oil on canvas, 245 x 361 cm Museo del Prado, Madrid
Prev       Next     

Related Paintings to GILLOT, Claude :.
| A Young Married Couple | Valdemar Atterdag holding Visby to ransom | Eiffel Tower | Grosses Stilleben mit Hummer | Crucifixion |

CONTACT US
Xiamen China Wholesale Oil Painting Stretcher Bar Wholesale Frame Moulding Mirror Framed Stretched Paintings